I was hoping to write about everything that happened in New Zealand and Australia as it happened but that hasn’t really been possible because the schedule has been intermittently grueling. Last Thursday I played in Brisbane. I got back to the hotel around two in the morning, spent an hour packing my personal effects into one suitcase, two guitar cases and one small carry on item. Then I had three and a half hours sleep - possibly only three hours because I lay on the bed vibrating for quite a long time. I find it difficult to sleep in hotel rooms - I have to divorce myself from my surroundings. Sometimes the only thing that gets me to bed is the consolation that once I switch the light off I won’t be able to see where I am.
I had to leave for the airport at ten to seven to catch a flight to Melbourne. There’s been a lot of flying on this tour, that’s how it’s done here. The flight took two and a half hours. I was asleep before the plane took off. It’s getting to where I sleep better on airline seats than I do in hotel beds.
I met my new tour manager and sound engineer, a young man called Guy, at the baggage claim. Guy is a twenty something years old of Anglo Irish and Samoan descent, I found out these things by degrees. He speaks with an almost posh English accent. I liked him immediately. Another new friend. By the the time we left the baggage claim with my suitcase, two guitars and one small, personal carry on item, we’d invented the term Luggage Harvesting for the crime of stealing bags off the carousel. I’m surprised it doesn’t happen on a regular basis at domestic terminals all over the world - you just stroll into arrivals, go to Oversized Baggage, lift up someone’s guitar and stroll out with it. If everything goes wrong I think I might become a luggage harvester myself. A good part-time occupation for my retirement...
Guy was standing in for Bonnie, but more about Bonnie later. He’d been instructed by Bonnie to take me for a good espresso and something to eat before checking me into the Vibe Hotel and then driving us to Castlemaine for a show that night.
There’s a whole lot before and after that last part but this thing is either going to go in the direction it happens to go in, or not go at all, so to hell with the chronology....
I’m on a plane flying home from Los Angeles. I was in an Air B n B in Echo Park - I stayed there for five nights. It was downhome. It was a dump really. It had a porch with a swing chair but mostly it was too cold to sit out there so I put both switches down on the oil-filled radiator and sat at the piano instead. That was the best thing about this place I was staying in - it had a piano - a Korg digital piano with a full sized keyboard. I was able to turn it down so I wouldn’t disturb the owners who lived in the other half of the house, and who hopefully wouldn’t then be laughing at my rudimentary piano playing.
In between Ubering my way all over Los Angeles I wrote one and a half songs. It may have been one and a quarter songs or maybe one and five eighths of a song but there’s definitely one whole song in there. I recorded a lame demo on my phone and sent it to Amy and she said it was a good one and where did the piano come from?
I took an Uber to West Hollywood and strolled around. I spent a fun couple of hours in the Guitar Center trying out the synthesizers. Some of them didn’t appear to be working, either that or they were beyond my capabilities. I particularly enjoyed the Moog Sub Phatty though I wish they’d thought of a better name for it - Sub Phatty is quite unfortunate. If someone wants to donate one to me I’ll happily rename it the Moog Glorious which is what I think it should be called.
Contrary to what I imagine a lot of people might think I like synthesizers. I always have, not the hideous eighties ones like the Yamaha DX7, though I’m sure that given time I could divorce the sound of that from its hideous personal nineteen eighties associations and allow it to worm its way into my affections. The Sub Phatty / Glorious produced epic, beast like sounds. I wished I could have recorded some of the stuff I came up with on that thing.
Guy The Sound Guy and stand in for Bonnie The Tour Manager told me about a resource in Melbourne - a synthesizer library. They’ve got one of just about every synthesizer ever manufactured. You can go there and book time with a synthesizer of your choice. They’ll deliver it to your cubicle and you can work with it using your own software and laptop. It’s one more reason to love Melbourne. If it wasn’t so monumentally far away, and if I was living a somewhat different life, I’d move there in a heartbeat.
I was staying at the Carlton Vibe Hotel. There are several Vibe Hotels dotted around Melbourne. This one was modern, meaning it must have been quite up to the minute in about 1959 or 1962. I could just imagine Lady Penelope pitching up there in her pink Cadillac piloted by her loyal and trusted chauffeur, Parker. I can imagine her checking in at the reception desk over to one side of the breezy and spacious concrete and glass reception hall with its hints of orange and lime green. The swarthy yet suave receptionist and Lady P herself, their jaws moving up and down as they speak whatever words need speaking with their plastic faces.
And Parker collecting the luggage: ‘Yus m’lady!’
I could have spent whole afternoons watching guests banging their heads on the modern architectural entrance feature that swooped from dangerously low to just above average head height and spoke of...well, Vibe.
I kept coming back to the Vibe. It was my first destination in Australia when I flew in from Auckland. The tour promoter, David Laing, met me and took me straight there. It was his second time at the airport that day, earlier he’d picked up PP Arnold.
That first time I had a room overlooking the pool. It looked for all the world as if I could run from my room, dive gracefully over the railing and into the glittering blue water below. Except that I would have landed in a prickly hedge, most likely impaling myself on some railings that you couldn’t see from the floor to ceiling wall of glass separating my room from the outside walkway.
My room had a king size bed - larger than a king size - Emperor Size if that’s a thing. There was also a single bed that looked quite pathetic beside this monumental sex and sleeping dais. The Emperor turned out to be two singles zipped together on two separate bases that would probably have drifted apart had the bed seen any action, leaving the participants uncomfortably close to the floor in the ensuing bed base ravine.
I’d already decided that I was going to take the single bed because, as I’ve said somewhere before in these ramblings, there’s nothing more lonely than sleeping alone on the edge of a king size bed. You’re not going to sleep in the middle of it of course, even if it’s not two singles zippered together, because that’s where most of the action will have taken place and you really don’t want think about that. Especially when you’re facing another night alone.
The single bed was next to the floor to ceiling windows. There were nets and a big blackout curtain that shut out the impending daylight, but during the night and into the morning I could hear the occasional person next to me, a foot or two away, on the walkway the other side of the plate glass. And to other side of me that useless expanse of nocturnal playground...
I needed coffee. Carlton is very hip but the Carlton Vibe isn’t really in Carlton - it’s opposite a park somewhere between Carlton and some other bit of Melbourne. I scoped out the coffee options and found one within walking distance, a mile or so away. I decided to take a short cut across the park. It was Sunday so I weaved a jagged trajectory between games of cricket. I was very pleased with this even though it was a bit dangerous and big men kept shouting at me - I’d only been there a day and here I was having a very Australian experience.