Later on Lol Coxhill teamed up with David Bedford as The Coxhill/Bedford Duo. They recorded a 45, Pretty Little Girl, for John Peel's Dandelion label. It was a jolly little ditty – possibly subversive for its apparent lack of any kind of subversion.
I was lucky enough to see them at the Arnolfini Gallery in Bristol in either 1972 or 73. I was a student at the art college in Bristol at the time. The concert, billed as An Evening With Lol Coxhill & David Bedford, had a profound effect on me - haunting instrumentals silly songs, free improvisation and outright slapstick comedy. Lol Coxhill's impersonation of Frank Sinatra was extremely accurate and for that all the more bizarre visually.
He also impersonated Kevin Ayers – more wine David? Oh I appear to have spilt it.
He pirouetted in a grey boiler suit, they rubbed party balloons on the piano strings and burst them with evident relish. They were weird, freaky and baroque - disturbingly middle-aged to the eighteen year old me. Lol told us that he didn't know why he was always billed as a busker because he'd only ever done it once. He also mentioned that Pretty Little Girl had only sold nine copies. Apparently there was a warehouse full of them somewhere. I wish I'd been able able to find one.
The Arnolfini crowd was artsy and older. Rich bohemian chic. I don't know what they thought but I left the place irreparably altered. I was already into free jazz but I'd never witnessed such an irreverent presentation.
I don't see him play live again until some time in the nineties when he played in Brighton with The Melody Four. In 1978 he appeared on the second Damned album and that was a mystery to me – produced by Nick Mason of the Pinkfloyd - a guest appearance from Lol Coxhill – it was everything that The Damned were supposedly against at the time. I thought Lol was an inspired choice but Nick Mason was an idiocy – that was probably Dave Robinson's idea.
A friend of mine saw Lol Coxhill play in Rotterdam. He was evidently being treated disrespectfully by the organisers. He came on the stage, unpacked his soprano, announced to the audience that he was contracted to play for forty minutes, set an alarm clock and played until it went off.
I met him once - not in my capacity as a minor celeb – I was just a fan bothering him after the show. He seemed very kind.
Excellent post. I don't know you really like Kevin Ayers.
ReplyDeletethanks for the memories..
ReplyDeleteThanks for your recollections. This helps round out the rather large shadow Lol Coxhill left behind him...
ReplyDeleteSad news. I only ever saw Lol Coxhill perform as a guest with The Damned in more recent years.
ReplyDeleteAs to the choice of Nick Mason as producer for the 2nd Damned album, I believe that the band actually wanted Syd Barrett but because he wasn't in a fit state at the time they somehow ended up with Nick Mason by way of a consolation prize. Unfortunately it turned out to be a rather lacklustre record, although it does have its moments.
It seems ridiculously naive to imagine Syd Barrett coming out of the shadows to produce a an album for an up and coming punk band, but I well remember telling the bosses that if I couldn't have Captain Beefheart my second choice was John Lennon. I got some bloke who replaced a replacement organist in Procul Harum. Ouite possibly worse than Nick Mason. I suppose if things had gone differently I could have ended up with Ringo Starr as my consolation prize.
ReplyDeleteI wish I'd made a record with Lol Coxhill.
Wonderful tribute to an extraordinary, unique and highly appealing artist. Thank you.
ReplyDeleteCurtis Roberts
I love the idea of Big Smash! produced by Captain Beefheart. What on earth would it have sounded like...?
ReplyDeleteThanks for this!
ReplyDeleteEver since 1978, whenever I hear the word idiot, I've always added the word 'box'. Always. And then, thanks to Ian McMillan (& The Shed) I always think of Lol standing in a skip playing his sax - go in peace Mr. Coxhill.
ReplyDeleteyour commet
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